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Is self-publishing really the way to go?

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By Sarah Baker

Go to any panel on book publishing these days, Amikacin canada, mexico, india, and you’ll hear the hoopla over self-publishing. Easy to do. More control, Amikacin samples. A bigger cut of the profits. At a time when advances aren’t exactly advancing, editors are often too over-worked, and publicists are spending the house’s dimes on blockbusters, self-publishing sure sounds tempting, Amikacin For Sale. Purchase Amikacin online no prescription, Add to this the allure of royalty rates of 70 percent or higher instead of the 15 percent (at most) from traditional publishers, and it’s no wonder all writers aren’t going indie.

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“You have to decide what your goals are, australia, uk, us, usa,” said thriller-writer and self-publishing guru Barry Eisler at a lecture in November 2011 at the Park Plaza hotel in Boston. Amikacin For Sale, For him, it seemed like a no-brainer. Amikacin over the counter, He had already published three books with a traditional, or what he calls “legacy,” publisher, Amikacin images. He has a following, Discount Amikacin, developed when he pounded the pavement one summer, visited 500 bookstores, and called on 1, Amikacin no prescription,200 bookstores in 40 states. Real brand Amikacin online, Other things in his favor: His wife is a literary agent, so he has access to publishing professionals.

As if his platform weren’t enough already, fast shipping Amikacin, the press from his decision to turn down $500, Order Amikacin no prescription, 000 from St. Martin’s and go indie practically made him a household name, Amikacin For Sale. The mighty-marketing-machine Amazon is his publisher. He likes control, Amikacin from canada. He likes business. Amikacin street price, He’s clearly very good at it. Amikacin For Sale, But not everyone has built what Eisler has. For first-time authors, like Boston Globe reporter Billy Baker, Amikacin australia, uk, us, usa, who is armed with a literary agent and a nonfiction book idea, Buy cheap Amikacin, an advance from a traditional publisher is necessary for him to take time off from work to report and write. “I don’t have 50 grand in the bank,” he said, generic Amikacin.

Other authors make the point that they want the strong winds of a trusted publisher in their authorial sails. Where can i cheapest Amikacin online, Pagan Kennedy, author of ten books including Spinsters and Black Livingstone, doubts she would ever go indie, Amikacin pics. “If you can live with 1,000 readers and not making any money, then fine, Amikacin For Sale. But, Amikacin steet value, if you want an audience of 20,000 for your book—how do you get that?” she said.

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“Self-publishing had a stigma, Is Amikacin safe, ” said Eve Bridburg, literary agent and founder of Grub Street, Inc., purchase Amikacin for sale, an independent literary-arts center in Boston.  But she points out some critical new factors: increasingly sophisticated self-publishing tools are available; you can distribute via the Internet (and not just via the back of a station wagon); Twitter and Facebook can help to spread the word. Amikacin without prescription, Then there is the payoff: higher royalty rates. Amikacin For Sale, So many more serious writers are self-publishing, she added, that Grub is now offering workshops not only in the craft of writing but in marketing and publishing, as well.

Many people are taking the plunge. An article by Jeffrey A, order Amikacin online c.o.d. Trachtenberg in the Wall Street Journal cites an estimate by R. Is Amikacin addictive, R. Bowker, which tracks the publishing business: the number of self-published titles exploded 160 percent from 2006 to 2010 (that is, from 51,237 to 133,036.)

Some recent success stories—Amanda Hocking and John Locke, in addition to Barry Eisler—have helped fuel the movement, Amikacin For Sale. And let’s not forget that some historic bestsellers (What Color is Your Parachute and The Elements of Style, for example) started out as do-it-yourselfers (DIY), Amikacin cost, the old-school name for the self-published. Amikacin description, They were acquired by traditional houses after they were already successful.

Sales figures for self-published books are difficult to track, and hard to interpret, Amikacin overnight, since people choose this route for all sorts of reasons. Amikacin long term, Many are printing 10 copies of a memoir for the family or 100 for the business. Amikacin For Sale, Amazon.com doesn’t share overall sales figures of books, according to Brittany Turner of their public relations department. But, in an email she was willing to say that “John Locke and Amanda Hocking have both sold more than 1 million books using Kindle Direct Publishing (KDP), Amikacin pictures, 12 KDP authors have sold more than 200, Purchase Amikacin online, 000 books and 30 KDP authors have sold more than 100,000.” Over at Amazon’s self-publishing service site, CreateSpace, cheap Amikacin, she added, Amikacin online cod, former New Orleans mayor Ray Nagin self-published his memoir Katrina’s Secrets, which hit the Top 100 Best Sellers in Books on Amazon the week of its release.

(If you’ve seen anyone report on the other end of the spectrum—that is, Amikacin without a prescription, the number of self-published authors who never surpass their break-even point—please post links in the comments section. Buy Amikacin without a prescription, The more solid information we all have, the better.)

Even traditional publishers are capitalizing on the popularity. Book Country is Penguin Books new foray into the do-it-yourself world, canada, mexico, india. It’s a place for genre fiction writers to circulate their work, get feedback, and buy self-publishing services, Amikacin For Sale. “Self-publishing is a trend that isn’t going away, Amikacin duration, ” said Book Country president Molly Barton to Calvin Reid of Publishers Weekly.

But all of this takes time and ingenuity. Martha McPhee, rx free Amikacin, author of Dear Money and three other novels, said self-publishing would be like pushing a boulder up a mountain, and she wouldn’t know where to begin. Claire Messud, New York Times-bestselling author of The Emperor’s Children, equates self-publishing with home schooling.

Would you Amikacin For Sale, consider home schooling.

 

SIDEBAR: Should you self-publish?


 

If you want a professional-looking book with a chance of success you’ll need four things: Time, Money, Connections, and Gumption. Traditional publishers have been in the business for a long time and a book contract, despite that many authors accuse them of everything from neglect to abandonment, guarantees a professional process. You’ll have a well-oiled machine behind you so that you can focus on writing and promotion. If you want to replace them you’ll need to:


  1. Hire a load of people if you aren’t a jack-of-all-trades: Editor, copyeditor, jacket designer, interior designer, publicist, marketer, rights salesperson (for foreign and first serial), Web site designer, printer, and distributor (for print books). If you’re publishing nonfiction you might need a lawyer to check for libel and an indexer to create an index, Amikacin For Sale. But buyer beware—these people work for you, so make sure they tell you what you need to hear and not what you want to hear.

  2. Verify your account balance and uncap your pen—you’ll be writing a lot of checks.

  3. Buy a Starbucks Card or a Nespresso machine. With the amount of work this will involve, you’ll need your caffeine. Self-publishing is akin to starting your own business.

  4. Do the hustle. Work your friends on Facebook, your followers on Twitter, your old colleagues in the media, your local librarian, and your buddies in the bookstores to spread the word and buy the book.


Good luck.

{Formerly a book editor at Viking/Penguin and Simon & Schuster in New York City, Sarah Baker is now a freelance writer and an independent radio producer. She lives in Cambridge, Massachusetts.}.

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10 Responses to Amikacin For Sale

  1. Constance Hale January 15, 2012 at 7:11 pm #

    A couple of related articles I thought would interest:

    Ace Books, an imprint of Penguin, has signed the debut novelist Kerry Schafer to a two-book deal, only weeks after she posted writing samples on BookCountry. NYT story: http://nyti.ms/z7k7Sb

    Many popular self-published authors are coming down hard on services Penguin added to Book Country, calling the initiative overpriced, royalty-grabbing and “truly awful.” Paid Content’s story: http://bit.ly/Aa3i1s

  2. Heather Donahue January 16, 2012 at 2:42 pm #

    If you’re already getting attention in Book Country or Authonomy, you are probably in a good position to self publish if you can rally the bucks for a good editor and PR person.

    You have to hand it to Penguin though, they have authors paying them advances now! That sounds like a great idea, right? As long as the prestige of the brand holds up, it probably is. But is this the best way to maintain that venerable brand?

  3. Maury January 18, 2012 at 3:27 pm #

    This article made the rounds among a number of my fiction-writing friends last month. Darcie Chan seems pretty marketing-savvy, but it’s noteworthy for being the first successful self-published literary work of fiction that anyone I know can name:
    http://on.wsj.com/tjAkUE

    Click on the interactive graphic in the article to get a who’s who of self-publishing kingpins. (Note that they’re all genre writers.)

  4. Constance Hale January 19, 2012 at 1:14 pm #

    Another incisive POV is that of Seth Godin, founder of the Domino Project and bestselling author of 12 books.

    He’s posted two somewhat subversive articles that may affect the way you think about publishing:
    http://bit.ly/Ac2skZ

  5. Constance Hale January 21, 2012 at 10:54 am #

    I have no opinion of my own on publishing with Apple, but this ZDNet blogger seems pretty savvy, and he scrutinized the contract, calling it “Mind-bogglingly greedy”: http://zd.net/zWjeYx

  6. Erin February 18, 2012 at 3:19 pm #

    Hello!

    I work for PUBSLUSH Press (www.pubslush.com), which is a new option available in publishing that isn’t self publishing or traditional publishing. PUBSLUSH lets readers decide what books get published, and for every book sold, a book is donated to a child in need.

    Here is how PUBSLUSH works:
    1. Writers submit the best 10 pages and a summary of their manuscript. It’s completely free!
    2. Users read, share, and support (aka preorder) their favorite submissions. They’re only charged if a book is selected for publication.
    3. Once a book reaches 2,000 supporters, we publish it (ensuring only the best books get published)! PUBSLUSH provides all the services and support of a legacy publisher.
    4. For every book sold, a book will be donated to a child in need.

    PUBSLUSH helps authors build an audience before they are published by providing guidance, support, and a brand with a message to help them be noticed. In addition, we offer higher royalties than traditional publishers, and authors keep all their royalties because there is no agent involved.

    PUBSLUSH is all about giving back. Giving authors a way to be published, giving readers a true choice in what they read, and giving back to the next generation of writers and readers. For every book published, we have an established giving partner with whom we donate a book for every book sold. You can learn more about our giving efforts here: http://www.pubslush.com/thecause/.

    Please let me know if you have any questions!

    Erin Eber
    Community Director of PUBSLUSH

  7. Connie Hale February 19, 2012 at 2:09 pm #

    I met Erin at the San Francisco Writers Conference, where there was a lot of talk about new ways for writers to get their work between covers. Also represented were BookBaby and Smashwords. My how things are e-volving! Thanks for the detailed post, Erin!

  8. Constance Hale February 20, 2012 at 5:04 pm #

    One of the reasons I was so happy that Sarah Baker wrote this piece is that most of the stories you see in the media report on success stories–and success stories only. There are many disappointments in self-publishing, as writers learn how hard it is to produce a professional quality book–and how expensive–and then learn that it’s even harder to sell them!

    But Sandra Hurtes put together a great piece for The Writer magazine, in which she finds six self-published writers with quite different stories and asks them whether or not they “met their goals.”

    To read it, go to Sandra’s Web site (http://www.sandrahurtes.com/Writings.html), and click on the first link for The Writer to download a PDF of “6 Self-Publishing Success Stories.”

  9. Constance Hale September 5, 2012 at 5:48 pm #

    “The Cruel Paradox of Self-Publishing” is an excellent article in Atlantic Online by Peter Osnos, one of my heroes. He uses Penguin’s acquisition of Author Solutions as a starting point for his reporting. Osnos started as a journalist at The Washinton Post, then became a book editor and founder of PublicAffairs. Super smart, no apologist for traditional publishing, very forward looking.

    http://www.randomhouse.com/wotd/index.pperl?date=20001128

Trackbacks/Pingbacks

  1. From the writer's perspective: everything you need to know about e-books | Sin and Syntax - January 20, 2014

    […] You can self-publish straight to an e-book. The advantages are obvious: no rejection letters from editors, no distribution costs, no royalties to an agent. Plus, you’ll get marketing for you or your business. The disadvantages are that—unless you are a jack-of-all-trades—you must now pay someone to copyedit, proofread, design your cover, market, advertise, and publicize. And you don’t have the advice and expertise of editors and designers. There are many sites on-line that offer self-publishing services including Amazon.com and Lulu.com. Or you can set up PayPal on your own Web site. Publishers have started publishing a few books straight to e-book. For more on self-publishing, see Sarah Baker on do-it-yourself-books. […]

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