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Buy Bactrim Without Prescription, On March 18, the New York Times launched a new series on the art and craft of writing in Opinionator, its online Op-Ed area. Called “Draft, Bactrim canada, mexico, india, Doses Bactrim work, ” the series began with an ode to the sentence by one of my favorite fiction writers, Jhumpa Lahiri, online buying Bactrim hcl. Order Bactrim no prescription, Over the course of the series, grammarians, Bactrim over the counter, Bactrim price, historians, linguists, where to buy Bactrim, Bactrim reviews, journalists, novelists and others will write about the art of writing—from the comma to the tweet to the novel—and why a well-crafted sentence matters more than ever in the digital age, Bactrim steet value. Bactrim dose, On March 19, my own series within the series débuted, buy generic Bactrim. Bactrim alternatives, Every other week, I’ll be going over some of the basics of writing great sentences, Bactrim without a prescription. Each essay will contain some challenges for readers, Buy Bactrim Without Prescription. Bactrim no rx, In this first essay, I asked readers to send in their favorite sentences, buy Bactrim no prescription. Bactrim results, So many readers responded in the comments section that I wrote a response to their comments that posted March 23.

Some readers sent their favorite sentences directly to me, Bactrim duration, About Bactrim, rather than posting them in Opinionator. I wanted to share some of them, Bactrim brand name, Get Bactrim, along with their words about those sentences:

“Secret to life, marry an Italian.”—Nora Ephron

(That sentence needs little explanation, low dose Bactrim. Buy Bactrim Without Prescription, Ephron is a comic writer of the first degree, and she wrote it as part of the Six-Word Memoir project of SmithMagazine.)


“No iron spike can pierce a human heart as icily as a period in the right place.”—Isaac Babel

(“Reading Babel is like being thrown blindfolded into a large body of cold water,” wrote the person who sent that in.)


“My family is American, and has been for generations, in all its branches, direct and collateral.”—U.S. Online buy Bactrim without a prescription, Grant

(The opening sentence of The Personal Memoirs of U.S. Grant, Bactrim pics, Bactrim dosage, wrote one reader, is “still the gold standard for its genre and, comprar en línea Bactrim, comprar Bactrim baratos, Purchase Bactrim, IMHO, a classic of 19th C, Bactrim for sale. Canada, mexico, india, American literature.”)


“In the Spring of 63 B.C., there appeared on the roads of Palestine columns of Roman soldiers, Bactrim without prescription. Buy Bactrim online cod, Behind them stretched a string of squealing carts, followed by the rumbling of siege artillery; in clouds of dust the legionnaires” panoply glistened, Bactrim overnight, Discount Bactrim, and their military standards fluttered.”—Alexander Men

(“Because I can see and hear the soldiers now, I think it’s a marvelously effective piece of writing, Bactrim used for, Bactrim trusted pharmacy reviews, ” wrote the person who sent those sentences, which are from the Prologue to Son of Man.)


And she sat; she wrote; she longed for money for she had a lover; all she needed was money to live; love, where can i buy Bactrim online, Bactrim reviews, money money money.”—Gertrude Stein

(That one arrived via Twitter, so there was no room for the sender to comment, no prescription Bactrim online. Or to say where the quote comes from, Buy Bactrim Without Prescription. Bactrim blogs, I haven’t been able to verify it. Can you?)


“Sara stood on the fox until it died.”—Mitchell Smith

(“It is the first line of the novel Due North, buy Bactrim without prescription, Buy Bactrim online cod, wrote the sender. “It punched me in the stomach when I read it, and I have never forgotten it. The novel is unforgettable, too.”)


“Xavier watched two Legionnaires stroll out from the terminal to wait for the flight: dude soldiers in round white kepis straight on their heads, red epaulets on their shoulders, a wide blue sash around their waist, looking like they from some old-time regiment except for the short pants and assault rifles.”—Elmore Leonard

(In this, the opening line of Djibouti, the sender writes, “It seems to me that the way he plays around with grammar and punctuation, he gives you as much information about Xavier as he does about the soldiers he is observing. Buy Bactrim Without Prescription, The soldiers are not the point: that Xavier is observant, intelligent and black, is.”)


“The door opened quietly and closed.” —James Joyce

(“That sentence from Portrait of an Artist as a Young Man was a revelation to me,” wrote a friend. “It is the context that makes the sentence so powerful—the fact that Stephen would be acutely aware of the door opening, but wanting to remain invisible he was unable to look directly at either the door or the prefect. It was the first time I really understood how much could be implied in such a simple sentence and how perfectly it could describe human experience. “)


Great stuff, all of it.

Feel free to add more favorite sentences in the comments below.

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26 Responses to Buy Bactrim Without Prescription

  1. Ricki Wilson March 31, 2012 at 6:02 pm #

    “I didn’t know words could be so heavy.” – Markus Zusak, I Am The Messenger

    Zusak illuminates the innate paradox of words, and does so in such a simple sentence—poetic and profound. When I read such a beautifully crafted sentence, time stops while I stand in awe of such a gift.

  2. T April 3, 2012 at 3:47 am #

    “Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled.” -Carmilla, Joseph Sheridan Le Fanu

    A lot of the writing I like is because of the choice of words, something uncommon and precise. Here it is not the words themselves but their layout which perfectly describes the scene.

  3. T April 3, 2012 at 3:57 am #

    “All of this light coalesced and began to shimmer, as though a golden presence hovered over me, suspended in the stairwell, softly entangled with the railings, curling and contracting like smoke.” – Neil Gaimen

    “This midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.” – F. Scott Fitzgerald

    I like the rhythm and the precision of “curling and contracting” and “furled in flame.”

  4. l3v1 April 3, 2012 at 5:28 am #

    “All of the sadness of the city came suddenly with the first cold rains of winter, and there were no more tops to the high white houses as you walked but only the wet blackness of the street and the closed doors of the small shops, the herb sellers, the stationary and the newspaper shops, the midwife – second class – and the hotel where Verlaine had died, where I had a room on the top floor where I worked.”

    It seems long if one just looks at it, but it feels quick and short when one actually reads it, a line of thought put down very plainly but very expressively, giving you a quick and deep feel of “your” surroundings and mood. Of course it’s Hemingway.

    “Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses.”

    Here you go, all the nouns you want, there’s no better noun master 🙂 I think everyone can guess the author.

  5. Connie Hale April 3, 2012 at 12:16 pm #

    These examples are wonderful, as are the way each of you writes about the sentences. One thing I love about language is that there is no “right” way to write a sentence–look how different these all are!

    Thank you Ricki, T, and l3v1.

  6. Bob Rosenberg April 3, 2012 at 3:14 pm #

    “Sufficient unto the day is the evil thereof.” (Matthew 6:34, King James)

    The rhythm, the sound, the meaning. I love this sentence.

  7. Connie Hale April 3, 2012 at 3:23 pm #

    I’m with you on the King James Bible. I was heartsick when the Episcopal Church updated the Book of Common Prayer and lost all those wonderful rhythms. I still read my grandmother’s copy with the glorious cadences.

  8. Tonstant Weeder April 4, 2012 at 10:07 am #

    He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives.

    Harper Lee, To Kill a Mockingbird

  9. Piers Wood April 4, 2012 at 10:47 am #

    SUBJ: “Desperately Seeking…” Scholaticism

    Your assertion that, “…We want to say as much as we can in as few words as possible…” is the central pillar of your premise in the OpEd. Why is brief better? I believe you should have to prove that.

    I doubt that you can. It is more dogma than fact and lacks historical perspective. Legions of readers who devour every last word of Jane Austen, for instance, implicitly reject your dictum.

    “Gooing up” your assertions with qualifications might make your writing less pithy. However, admitting that you are basing your views on cultural norms and expert opinion, not facts, mmight just make your prescriptions more believable.


  10. Constance Hale April 4, 2012 at 12:45 pm #

    Tonstant Weeder, thanks for the Harper Lee example. She never ceases to surprise me.

    Piers, I certainly don’t think I need to prove my point–intelligent readers and writers are entitled to their own tastes and opinions.

    But I will explain where I’m coming from. I, like many people, learned to write in English class, where using big words and writing long all too often earned you points. I got wonderful grades in English, but had to unlearn all that when I became a professional writer–both to make myself understood to my readers and just to get published. In 30 years of teaching writing, and almost as many editing other people’s work, I would say that almost every writer I’ve ever worked with benefits from trimming and tightening. Many don’t think about the most precise and powerful way to say something, or at least don’t look closely enough at the choices. We should all work to pare our sentences down to the essentials–then start building them back up with artful phrasing. If you keep following the column, you’ll see that I will suggest this method. The point, though, is to have a command of your words, your phrases, your sentences, which is what the best writers possess after years of practice.

    The purpose of my column isn’t to praise the glorious sentences of Austen, Joyce, Faulkner, Didion, Garcia Marquez, and many other beloved writers who write long and loose. It’s to help readers craft their own sentences more skillfully. Keep reading!

  11. GrammarMonkeys April 4, 2012 at 4:34 pm #

    I work in journalism, where one could argue brevity is even more important than it is in fiction. Journalistic writing exists to convey information (this goes for PR, too). Writing that is wordy, repetitive, unnecessarily convoluted or overly detailed – or that fails to get to the point quickly – is a disservice to readers. If readers feel like they’re slogging through something, they’re more easily distracted. It’s hard enough already to keep people’s attention; never give them an excuse to quit reading.

  12. Jesus Mendoza April 5, 2012 at 1:47 am #

    Some readers have posted such delightful little sentences that, having read almost all of them, I am now full of writer envy. And yet that I would have liked to have written all of them — or to have gotten close to a near configuration of style at least — is an impossible notion.

    At any rate, with my boring intro out of the way, here’s none other than Jose Saramago in an English translation of his novel Death with Interruptions — because I believe great sentences can be translated into any language.

    The following day, no one died. This fact, being absolutely contrary to life’s rules, provoked enormous and, in the circumstances, perfectly justifiable anxiety in people’s minds, for we have only to consider that in the entire forty volumes of universal history, there is no mention, not even one exemplary case, of such a phenomenon ever having occurred, for a whole day to go by, with its generous allowance of twenty-four hours, diurnal and nocturnal, matutinal and vespertine, without one death from an illness, a fatal fall, or a successful suicide, not one, not a single one.

  13. Connie Hale April 5, 2012 at 7:00 pm #

    The last two posts just show how complicated and interesting this writing thing is.

    GrammarMonkeys makes a terrific case for the brief, then Jesus shows us the brief followed by the unbrief, by the amazing Saramago.

  14. Annie April 7, 2012 at 11:29 am #

    Forgive my crudeness, Alice, but I was crude, and I hope you’ll find it flattering, now that you are old as well, to think of me in bed, staring at my memory like a French postcard, watching the starlight trickle into the darkness of your clothes.

    From Andrew Sean Greer’s The Confessions of Max Tivoli

    Every sentence in this novel astounds me.

  15. Anna April 18, 2012 at 1:00 pm #

    “Besides, Father more than once had warned us not to get our hopes up too high, although plainly his were elbowing the moon.”

    Whistling Wind by Ian Doig.

    So often those hopes mirror our own.

  16. Jenny April 19, 2012 at 11:52 am #

    I know not from whence this came,or even if I remember it correctly, but author Bill Nack (Secretariat) told me years ago it was his favorite sentence:

    “The hare crouched, shivering, in the frozen grass.”

  17. Girish May 1, 2012 at 3:20 pm #

    “To understand just one life, you have to swallow the world”
    – Salman Rushdie’s Midnight’s Children

  18. Ted Dunn May 25, 2012 at 6:12 am #

    I wrote this sentence to a friend after my divorce and sale of my dwelling:

    “I will then be homeless, identity less, rootless, and like a ball in a pinball game that has caromed into exactly the right chute, I will re-enter at the plunger, ready to go around again.”


  19. Sandy Aptecker May 29, 2012 at 6:26 am #

    I am so happy here, now that I’ve stumbled into this website, that I probably won’t ever leave until I’ve read every word that was posted, and those startling, brilliant and insightful thoughs you all have been generous enough to share.

    Sandy A.

  20. Sunny Whaley May 30, 2012 at 7:21 pm #

    I am the shadow of the waxing slain, lured by the azure of the window pain. Vladimir Nabokov. Opening line of Pale Fire

  21. Sunny Whaley May 30, 2012 at 7:23 pm #

    Waxwing not waxing

  22. Michael M. June 12, 2012 at 7:28 am #

    “One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.” Dylan Thomas (of course). A Child’s Christmas in Wales.

    Sublime. I wish I had written it!!!!!

  23. paroms July 2, 2012 at 1:26 am #

    My teacher’s all-time favorite sentence (and opening sentence, a translation: “Mother died today. Or maybe yesterday; I can’t be sure.”
    Albert Camus, L’Etranger

    Remained with me as one of the finest examples of a complete alienation and of a sentence so final that it sounds like a gong.
    Elsewhere, from the same book, such a different sentence:
    In the midst of winter, I found there was, within me, an invincible summer.
    And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.”
    Writing, truly, is redemption!

  24. Sara July 4, 2012 at 8:44 am #

    I am huddling up against your posts, Constance, and the torrent of fantastic sentences your readers have sent in. I am a language/writing teacher, aspiring to build a grammar curriculum for a class for 6th graders– public school students who have not had much, if any, formal grammar instruction thus far–that is the right mix of irreverent and structured, and I want them to learn to find the sentence holy, dynamic, and based on principles that are both explicit (subject/predicate) and mysterious. The mystery I can teach mostly by not violating it. The principals that govern sentences, on the other hand, can be presented in myriad ways. Do you have any suggestions for a pedagogical approach to the fundamentals for budding still virginal linguists? For bringing in both sin and syntax? Thank you with heart in advance…

  25. Sara July 4, 2012 at 12:52 pm #

    I thought I’d get your attention with a healthy run-on up there.

  26. Constance Hale July 8, 2012 at 7:15 pm #

    These examples are all terrific! And, Sara, if you go to “Lesson Plans for Teachers” on the right hand column of the site, you’ll see that I have lots of materials for that “pedagogical approach” you ask about–i.e., lesson plans to bring sin and syntax to students of all ages.

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